DAVID TRAUTRIMUS

IN THE WAKE OF THE BIND

May 21-June 11

Opening Reception Sat. May 21,  trautrimus7-10pm

We often speak of old, neglected buildings in anthropomorphic terms as having “good bones”. As such, the spectre of death already haunts the language we use to describe these forgotten places. What if, in their final demise, buildings were released from their foundations? What new forms would they take?

David Trautrimas (Toronto) digitally excavates and reassembles source material to create portraits of structures that exist somewhere between the real and the completely imagined. Roofs collapse and funnel in the elements, walls crumble allowing unencumbered access into the interior and otherwise dark passages reveal themselves to the light. Brick, mortar, wood and stone – once the building blocks of civilization – are reassembled here to present a vision of a world bereft of humanity and one in which architecture experiences an afterlife.
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David Trautrimas is a visual artist whose work explores themes related to architecture and the built environment. He received a diploma with honors from OCAD and a multi-media technical certification from Fanshawe College. Recent solo exhibitions include Eidolon Point at the Prince Takamado Gallery, Canadian Embassy, Tokyo (2015) and Spyfrost Industrial Habitat at Hartell Gallery, Cornell University in Ithaca, N.Y. (2014). He has participated in numerous museum exhibitions including Imagine Earth at the Korean Arts Center, Seoul Korea (2011) and Empire of Dreams at MOCCA, Toronto (2010). His first major public art installation Ramps & Tread will be installed in 2016 as part of the public art program at Ice Condominiums, Toronto.

 

JONATHAN RAJEWSKI, RYB 
 New work in red, yellow and blue
 Opening Reception: Saturday, April 23, 2016
 7PM-10PM
 Performance at 8:30pm
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 Jonathan Rajewski (b. 1986, Bismarck, ND) lives and works in Hamtramck. He received a degree in philosophy from Michigan State University in 2009. Selected exhibitions include the N’Namdi Center for Contemporary Art (Detroit, MI), Simone DeSousa Gallery (Detroit, MI), Jack Hanley Gallery (New York, NY) and Center Galleries at the College for Creative Studies (Detroit, MI). He is the Director of Klinger Studios, a co-founder of the Hamtramck Free School, and co-facilitates visual art and creative writing workshops in Michigan prisons. His writing has appeared in Mousse Magazine and The Exhibitionist, and in 2015 he received a Kresge Fellowship in Visual Art.

Warning: This exhibition contains flashing lights which may not be suitable for people with photosensitive epilepsy.

Show runs through May 14th.

Gallery hours: Saturdays 12-5PM and by appointment

www.jonathanrajewski.info

Facebook event 

 

The Way Not The Way: New Works by Matthew Bandsuch

Opening Reception:  Saturday, March 26, 2016, 7PM-10PM

Show runs through April 16th

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“The Way Not The Way” is part of a larger ongoing linear narrative conveying the slow and sometimes intractable struggle of transformation and permanence. With the drawing process at it’s core, overlapping and interrelated images spawn a generation of continually changing adaptations. Pieces inherit elements from others, producing a synthetic lineage.

Matthew Bandsuch  was born in  Raleigh North Carolina but grew up in the Detroit area. He has a BFA from The College for Creative Studies(’95) and continued to live and work in Detroit until relocating to Chicago in 2001. His paintings have been exhibited throughout Detroit and Chicago and his Illustrations have been published in Hour Detroit Magazine, The Washington Post,  Harpers Magazine, The New York Times, and The LA Times. Popps Packing is excited to welcome Matthew back to Detroit.

Facebook event here

 

ARTIST TALK with ADRIAN HATFIELD AND AMY SACKSTEDER

SAT. FEB 13, 4PM

Saturday, February 13 at 4PM
Join us for an artist talk with Adrian and Amy about their current show 'Chimera". 

Popps Packing is located at 12138 St. Aubin St. Hamtramck MI, 48212. 
Gallery is open from 12-4Pm on Saturdays and by appointment. 
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Drawing inspiration form his musings on mass extinction and current environmental issues, Adrian Hatfield samples and recombines elements from art work of the past to create works that are intended to be sad, unnerving, yet beautiful and oddly hopeful. 

A mass extinction is an enormous global reduction of animal and plant species in a geologically short period of time. These events, of which there have been five, with arguably a current sixth occurring, decimate the global ecosystem. They also, however, create under-populated niches, which lead to the explosive evolution of new species. In these periods of creation, new species develop entirely from the remaining survivors that came before them”-Adrian Hatfield

Amy Sacksteder’s fluid process of investigation and making strike both a balance and tension between outward and inward looking selves, resulting in work that is essentially diaristic- involving a fracturing of place and time-taking pieces of experience and reassembling them into new, conflated impressions and narratives.

“My paintings, drawings, and installations embody the inability to convey the significance of an event or the impact of a place. Therefore I think the actual content of the work resides in the attempt, the trying—often futilely—to communicate meaning. The work draws upon the traditions of landscape painting and natural science illustration, and incorporates the visual language of maps, diagrams, and artifacts, as a way of exploring our connection—many times via objects—to specific places and occurrences. Compelled by the variety of ideas about and human interactions with the land and landscape, I begin to investigate personal and universal significance of place.”- Amy Sacksteder

 
Amy Sacksteder lives and works in Ypsilanti, Michigan, where she is an Associate Professor of Drawing and Painting at Eastern Michigan University. She received a BA in English from the University of Dayton in 2001 and her MFA in painting from Northern Illinois University in 2004. Selected exhibitions include 2739 Edwin (Hamtramck); Threewalls (Chicago); The Urban Institute for Contemporary Art (Grand Rapids); Champion Contemporary (Austin); the Drawing Room (Budapest); SÍM Gallery (Reykjavík); and KunstraumTapir (Berlin). She has attended artist residencies in Illinois, Newfoundland, Southern France, Philadelphia, Budapest, Reno, Reykjavík, and Berlin. Sacksteder’s work has been sited in New American Paintings and the Chicago Tribune and her recent drawings are featured in the Drawing Center’s online Artist Registry and Viewing Program.Amy Sacksteder curated the international exhibition Island: 22 Artists on Iceland at Eastern Michigan University and ‘CAVE Gallery in Detroit, and in 2015 she co-curated Atmosphere: Artists’ Responses to Space(s), again at EMU.

Adrian Hatfield received his B.F.A. from The Ohio State University in 1996 and his M.F.A. from Ohio University in 2003. He has been a member of the faculty at the James Pearson Duffy Department of Art and Art History at Wayne State University in Detroit, MI for the last 10 years. Hatfield’s works are included in the public collections of The University of Michigan, The South Bend Museum of Art, Northern Arizona University Art Museum, and The University of Iceland in Reykjavik, Iceland. Solo exhibition venues include The South Bend Museum of Art, South Bend IN, ARC Gallery, Chicago, IL and the Northern Arizona University Art Museum, Flagstaff, AZ. Two-person and small group exhibitions venues include The Butcher’s Daughter, New York, NY, Jeffrey Leder Gallery, New York, NY and Jack the Pelican Presents, New York, NY.

Chimera: Adrian Hatfield and Amy Sacksteder

January 23- February 13
Opening Reception: Saturday, January 23  7PM-10PM
Hatfield-Sacksteader

Popps Packing is pleased to present “Chimera”, a two person exhibition of paintings, drawings, collages, and collaborative works by Adrian Hatfield and Amy Sacksteder.

Drawing inspiration form his musings on mass extinction and current environmental issues, Adrian Hatfield samples and recombines elements from art work of the past to create works that are intended to be sad, unnerving, yet beautiful and oddly hopeful. 

A mass extinction is an enormous global reduction of animal and plant species in a geologically short period of time. These events, of which there have been five, with arguably a current sixth occurring, decimate the global ecosystem. They also, however, create under-populated niches, which lead to the explosive evolution of new species. In these periods of creation, new species develop entirely from the remaining survivors that came before them”-Adrian Hatfield

Amy Sacksteder’s fluid process of investigation and making strike both a balance and tension between outward and inward looking selves, resulting in work that is essentially diaristic- involving a fracturing of place and time-taking pieces of experience and reassembling them into new, conflated impressions and narratives.

“My paintings, drawings, and installations embody the inability to convey the significance of an event or the impact of a place. Therefore I think the actual content of the work resides in the attempt, the trying—often futilely—to communicate meaning. The work draws upon the traditions of landscape painting and natural science illustration, and incorporates the visual language of maps, diagrams, and artifacts, as a way of exploring our connection—many times via objects—to specific places and occurrences. Compelled by the variety of ideas about and human interactions with the land and landscape, I begin to investigate personal and universal significance of place.”- Amy Sacksteder

 
Amy Sacksteder lives and works in Ypsilanti, Michigan, where she is an Associate Professor of Drawing and Painting at Eastern Michigan University. She received a BA in English from the University of Dayton in 2001 and her MFA in painting from Northern Illinois University in 2004. Selected exhibitions include 2739 Edwin (Hamtramck); Threewalls (Chicago); The Urban Institute for Contemporary Art (Grand Rapids); Champion Contemporary (Austin); the Drawing Room (Budapest); SÍM Gallery (Reykjavík); and KunstraumTapir (Berlin). She has attended artist residencies in Illinois, Newfoundland, Southern France, Philadelphia, Budapest, Reno, Reykjavík, and Berlin. Sacksteder’s work has been sited in New American Paintings and the Chicago Tribune and her recent drawings are featured in the Drawing Center’s online Artist Registry and Viewing Program.Amy Sacksteder curated the international exhibition Island: 22 Artists on Iceland at Eastern Michigan University and ‘CAVE Gallery in Detroit, and in 2015 she co-curated Atmosphere: Artists’ Responses to Space(s), again at EMU.

Adrian Hatfield received his B.F.A. from The Ohio State University in 1996 and his M.F.A. from Ohio University in 2003. He has been a member of the faculty at the James Pearson Duffy Department of Art and Art History at Wayne State University in Detroit, MI for the last 10 years. Hatfield’s works are included in the public collections of The University of Michigan, The South Bend Museum of Art, Northern Arizona University Art Museum, and The University of Iceland in Reykjavik, Iceland. Solo exhibition venues include The South Bend Museum of Art, South Bend IN, ARC Gallery, Chicago, IL and the Northern Arizona University Art Museum, Flagstaff, AZ. Two-person and small group exhibitions venues include The Butcher’s Daughter, New York, NY, Jeffrey Leder Gallery, New York, NY and Jack the Pelican Presents, New York, NY.

“Vases” by Dylan Spaysky.

Opening Reception: Friday, December 4,  7-11PM.

Spaysky_Vases

Popps Packing is proud to present “Vases”, a solo exhibition of recent works by Dylan Spaysky. 

“Shaped by personal history, Spaysky attempts to reconcile off-the-shelf consumer product as talisman or personal artifact. He pulls material from thrift stores that trade in the excesses of comfortable suburban lifestyles, and as such, his work encourages a dual conversation about abandonment and endurance.”- PR text from current solo show at Clifton Benevento, NY

Dylan Spaysky (b. Waterford, MI) lives and works in Detroit, MI. Selected exhibitions include: Susanne Hilberry (Detroit, MI), NGBK (Berlin), Michael Benevento (Los Angeles, CA), and Cleopatra’s (Brooklyn, NY). Spaysky is Co-Director of Detroit artist-run space Cave, and has organized exhibitions around the area in venues such as Center Galleries and the abandoned car wash at Norwalk St. and Buffalo St. in Hamtramck.

http://www.spayskyfineart.com/index.html

 Show runs from 12.4.15-1.2.16.Popps Packing is located at 12138 St. Aubin. Gallery is open on Saturdays and by appointment. Contact Faina Lerman,  poppspackking @gmail.com

GARRETT MACLEAN

12189079_954516617946243_1021701787778960925_nMAKE WAY FOR PROGRESS (A Story of Displacement)

November 6-28

Opening reception, Friday Nov. 6,  7-10pm

Make Way For Progress is a portrait series that focuses on individuals and families being forced from their homes, or their livelihoods, by large institutional forces. In Nicaragua, Chinese billionaire Wang Jing (with the support of the Nicaraguan President) is building a canal that bisects the country. Over 100,000 people will be forced from their homes and land to allow the world’s largest infrastructure project, one which disproportionately benefits the Chinese interests.
In Detroit, Wayne County Treasurer has foreclosed on a record 8,000 occupied properties. Foreclosed properties are sold at auction to the highest bidder, and while some of these families grasped the opportunity to become owners of the home they already lived in, many more lost out due to the increased desirability of Detroit as a commodity, with auction prices far outreaching those of previous years. These images from come from an ongoing work-in-progress.
These are the faces of people who will be displaced by the all mighty Progress.

Garrett MacLean is a photographer living and working in Detroit. Born in Massachusetts, he graduated from Middlebury College with a BA in Creative Writing. He has exhibited his photos in NYC, San Francisco, Oakland, and Detroit, with an outdoor exhibition in Guatemala this winter. He has shot for TIME, VICE UK, Under the Influence, Hyphen, and Yes Magazine, amongst others.
www.garrettmaclean.com

CLOSING RECEPTION FOR “IT’S EXERCISE TIME!: AN AEROBIC WORKOUT ART SHOW

Sunday, November 1st,  4PM

JESSICA FRELINGHUYSEN:”ITS EXERCISE TIME!” AN AEROBIC WORKOUT ART SHOW 

Closing Reception with a final “JESSERCISE” performance workout and Artist Talk

This is your last chance see the show and sweat delicately along with Jessica when she holds her FINAL participatory class-performance “Jessercise!” on Sunday November 1st at 4PM!!

Using a remarkable and oblique approach based on her past experience with the persistence of exercise in the face of delicious Detroit food, Jessica Frelinghuysen takes you on a journey to a better you! 

Bring your exercise mat for a post workout artist talk and conversation with Jessica in the gallery.

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Read a great review of the show by Clara DeGalan here 

http://paperhelmets.com/home.html

PIMP MY SHOES

Thursday, October 29, 6-9PM

Soul to Sole: An Up-Cycled Fashion & Interactive Art Event 

Join visiting artist Masimba Hwati for a shoe stitching workshop with spoken word and dialogue courtesy of Bryce Detroit and Hallima Cassells from the O.N.E. Mile Project.

Bring a pair of canvas shoes and some funky canvas, cloth or leather fabric bits. NOTE: There is a limited number of sewing tools, so please consider bringing your own Sewing Awl.

“To wear dreams on one’s feet is to begin to give a reality to one’s dreams.” – Roger Vivier

This event is a collaboration between ZCCD and O.N.E. Mile hosted by Popps Packing.

1610995_10154434660623975_6741955287772567708_nPhoto by Jeff Canceloni